Muzoracle: The Tarot of Music

Energy in Transit:
The Chromatic Keycenters


C# Ascending: Energy rising from the Root to Sacral Chakras. Evolving from safety and security issues into creative response; moving from fear-based isolation into camaraderie and companionship and/or intimacy.

Db Descending: Energy falling from the Sacral to Root Chakras. Creativity coming to fruition; intimate relationships shifting to a more grounded and safe place.

 


D# Ascending: Energy rising from the Sacral to Solar Plexus Chakras. Creativity as a path to empowerment; transmuting sexual energy into personal power.

Eb Descending: Energy falling from the Solar Plexus to Sacral Chakras. Bringing to bear the will to create; bringing intent into intimate relationships.


E Ascending: Energy rising from the Solar Plexus to Heart Chakras.* Shifting from “me” to “us”—evolving from personal concern to include the concerns of others.


F Descending: Energy falling from the Heart to Solar Plexus Chakras.* Charity and compassionate action.


F# Ascending: Energy rising from the Heart to Throat Chakras. Sincerity, speaking from the heart, prayer.

Gb Descending: Energy falling from the Throat to Heart Chakras. Speaking to the hearts of others; inspiring others.


G# Ascending: Energy rising from the Throat to Third Eye Chakras. Being understood; speaking to the higher in others.

Ab Descending: Energy falling from the Third Eye to Throat Chakras. Sharing wisdom and insight.


A# Ascending: Energy rising from the Third Eye to Crown Chakras. Transcending thought;  surrendering preconceptions.

Bb Descending: Energy falling from the Crown to Third Eye Chakras. Receiving wisdom; divine inspiration.


*The keycenter/chakra connections in the Muzoracle mythopoetics are built around a diatonic scale in the key of C: C-D-E-F-G-A-B, do-re-mi-fa-so-la-ti. On the piano, all the notes in that scale are white keys separated by a black key—except for E and F, which  have no black key between them.  Thus, as we travel up and down the scale E rises directly to F, and F falls directly to E. That’s why, though E and F are notes in a diatonic scale, they are in those instances included with the chromatics—they are on the move.

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